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The Seattle Art Museum’s (SAM) new abatement appropriate exhibition, “Flesh and Blood: Italian Masterpieces from the Capodimonte Museum,” appearance 40 Renaissance and Baroque pieces from The Capodimonte Building in Naples, Italy. The affectation is accessible from Oct. 17 to Jan. 26 in the SAM’s appropriate exhibition gallery.

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Monica Bowen, adviser for the Department of Art and Art History at Seattle University and the Adult Tours Training Chair for docents at the Seattle Art Museum, talked about the aberration of such an exhibition.

“The ‘Flesh and Blood’ affectation is cogent because it allows the bodies of Seattle a attenuate befalling to see works of art by major, cogent artists who formed in Italy during the Renaissance and Baroque periods.” Bowen said.“I am decidedly aflame to see paintings by Raphael, Parmigianino, Titian, El Greco, Guido Reni, Jusepe de Ribera and Artemisia Gentileschi.”

The affectation is a abridged overview of the Italian Renaissance and Baroque through the accumulating of the Farnese family—and instead of a cruise to Naples, it alone takes a quick ride on the ablaze abuse from Capitol Hill to University Street station. The art affection works with violence, animal adorableness and absorbing stories—a amusement for the art enthusiasts and novices alike.

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“The above focus of the exhibition is on depictions of the animal body, which accounts for the chat ‘flesh’ in the title. There are both macho and changeable nudes on affectation in several— but not all—of the 40 paintings in the show,” Bowen said. “As is archetypal of the affecting accountable amount begin in a lot of Baroque art, there are additionally some images of abandon and blood.”

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Another important aspect of the affectation is the delineation of able women. Many of the pieces affectation powerful, affecting women and devious abroad from art that artlessly appearance a woman for her beauty.

Jacqueline Lewis • The Spectator

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One of the best acclaimed paintings in the affectation is “Judith and Holofernes,” corrective by Artemisia Gentileschi— the most-acclaimed changeable Baroque painter. This painting tells the adventure of Jewish charlatan Judith annihilation Holofernes, the Assyrian accepted aggressive to abort her village. In this work, Judith has one duke cutting Holofernes in the throat while the added duke clenches his hair.

“I acknowledge that the building chose to accept a accomplished bank committed to [Gentileschi’s] painting, ‘Judith and Holofernes,’ forth with argument that highlights the addition of this changeable artist,” Bowen said. “Although there are several depictions of admired or important women in this show, Artemisia Gentileschi’s painting serves as a appropriate counterpoint back the added paintings were fabricated by men.”

Another painting featuring a able woman is “Atalanta and Hippomenes” by Guido Reni.

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Dr. Chiyo Ishikawa, SAM’s Susan Brotman Deputy Director for Art and Curator of European Painting and Sculpture, aggregate the accent of the fabulous adventure in bringing the paintings to life.

“There is a adolescent woman called Atalanta, and a man called Hippomenes, and [Atalanta] does not appetite to get married, so she sets an absurd task. She said, ‘I’ll ally the man who can exhausted me in a bottom race,’ alive that cipher could exhausted her,” Ishikawa said.

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Hippomenes turns to Venus, the goddess of love, to advice him win Hippomenes’ duke in marriage. Venus gives him three aureate apples to abstract Atalanta during the race, and so he throws strategically so Atalanta has to stop and about-face to aces it up.

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Unfortunately, Atalanta doesn’t get her way—but the painting illustrates the allegory with adept Barqoue techniques of ball and narrative. It is absorbing to analyze the paintings, one corrective by a woman, the added by a man who feared woman. In “Atalanta and Hippomenes,” there is a bright aberration in the macho nude and the changeable nude.

“[Guido Reni] had affectionate of a anxiety of women. Artists were application nude models at this time to alpha to accord their paintings believability,” Ishikawa said. “He acutely had advised the macho figure. Hands-down his macho nudes are aloof admirable and aggregate is well-proportioned, but his women do not attending like he advised a absolute woman.”

The Capodimonte Building brings their accumulating to Seattle until January, back it will biking to the Kimbell Art Building in Fort Worth, Texas. The Italian building has never beatific such a ample cardinal of items from their accumulating on tour.

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This is a must-see show, abnormally with Italian Renaissance art actuality the aberration it is, alone for a bound time at the SAM.

The editor may be accomplished at [email protected]

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