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Quentin Metsys, “Christ as the Man of Sorrows” (c. 1520–30), oil on panel, 19 1/2 x 14 1/2 inches [pre-conservation] (image address the Getty Museum)The J. Paul Getty Building has acquired the Netherlandish painter Quentin Metsys’s “Christ as the Man of Sorrows” (c. 1520–30). For centuries, the painting has been in a clandestine collection, ahead alien to art historians. “This analysis adds a above masterwork both to the artist’s bulk and to the Getty Museum’s paintings collection,” said Timonthy Potts, administrator of the Getty Museum. “It ranks amid our best important 16th-century Northern European paintings and is already alluring abundant absorption from advisers of this period.” The painting was exported from Germany to the UK, and according to the columnist release, the Getty Building purchased the painting in a clandestine sale. The assignment will go on appearance for the aboriginal time in avant-garde history in the bounce of 2019 at the Getty Museum, Getty Center. [via email announcement]

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The Getty Analysis Institute has acquired a accumulating of hundreds of attenuate books, prints, and manuscripts accompanying to the comestible arts in the 15th through 19th centuries. The works were accumulated by “culinary authority” Anna Willan and her bedmate Mark Cherniavsky in the Anne Willan and Mark Cherniavsky Gastronomy Collection, according to the columnist release. Willan is additionally authoritative a donation to abutment the Cherniavsky Library Analysis Grants, which animate analysis accompanying to antique books and comestible studies. [via email announcement]

The San Antonio Building of Art has accustomed a allowance of over 850 photographs from collectors Marie Brenner and Ernest Pomerantz. The photographs amount from the 1920s through the 1930s, assuming scenes from the Great Depression, World War II, the Civil Rights Movement, and more. The photographs accommodate works by artists Dmitri Baltermants, Ilse Bing, Paul Caponigro, Henri Cartier-Bresson, W.E. Dassonville, Mike Disfarmer, Leonard Freed, Danny Lyon, Joel Meyerowitz, Arthur Rothstein, Stephen Shore, and Louis Clyde Stoumen, amid others. Some of the photos will be on affectation in the exhibition Capturing the Moment: Photographs from the Marie Brenner and Ernest Pomerantz Accumulating from February 22 through May 12, 2019. [via email announcement]

The burghal of Cologne, Germany has accustomed 438 works by the Jewish painter Otto Schloss, from his heirs. The works accommodate drawings, watercolors, and prints, which accept been donated to the Cologne NS Documentation Center. Schloss confused to Cologne in the aboriginal 1920s and formed as an illustrator of newspapers and books until he fled from the Nazis to Sweden in 1938.

Joseph Beuys, “Boxkampf für direkte Demokratie [Boxing Bout for Absolute Democracy]” (1972) (© VG Bild-Kunst, Bonn 2018, photo by Axel Schneider)The Building Für Moderne Kunst (MMK) has acquired Joseph Beuys’s “Boxkampf für direkte Demokratie [Boxing Bout for Absolute Democracy]” (1972). In 1972 during Documenta 5 in Kassel, Germany, a battle bout was staged at the Museum Fridericianum amid Beuys and art apprentice Abraham David Christian. Beuys, at this time in Kassel, was “untiringly discussing the affair arrangement and the affair of absolute capitalism by referendum, with the exhibition visitors,” according to the columnist release. The Office for Absolute Capitalism was “his aesthetic contribution.” Christian had challenged Beuys to a battle bout during an argument, and the bout took abode on October 8, 1972. Inside the “Thinking Room,” by artisan Ben Vautier, a battle arena had been set up and the two artists fought. Beuys won the bout and appropriately created a carve out of this acquaintance — “Boxing Bout for Absolute Democracy.” The acquirement was fabricated accessible through Hessische Kulturstiftung, Kulturstiftung der Länder, Ernst Max von Grunelius-Stiftung, Georg und Franziska Speyer’sche Hochschulstiftung, ING, Deka and Freunde des MMK.

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The Bilbao Fine Arts Building in Bilbao, Spain has acquired Richard Serra’s carve “Bilbao” (1983). The assignment was donated in anamnesis of Martín García-Urtiaga and Mercedes Torrontegui by their grandchildren. The site-specific assignment was created in its namesake burghal and remained alfresco the building for two years until it was purchased by beneficiary Plácido Arango and confused to Madrid. In 2001, the assignment was afresh briefly displayed in the building for a time, and now, it is aback in the aforementioned amplitude it originally occupied.

Bowling Green State University (BGSU) is abiding 12 age-old circuitous tiles to the Republic of Turkey. The university bought the tiles in acceptable acceptance in 1965 for about $35,000. The tiles were anticipation to accept originated in the age-old burghal of Antioch, which is modern-day Turkey, but in 2012, Dr. Stephanie Langin-Hooper, again a BGSU adroitness member, alive with Dr. Rebecca Molholt of Brown University, apparent that the mosaics originated in the age-old burghal of Zeugma, additionally in modern-day Turkey. The analysis aloft questions about the origin, and it was apparent that the tiles were removed through crooked blasting and put on the all-embracing art market. The tiles accept been removed from BGSU’s Wolfe Center for the Arts, and a appointment from Turkey was on duke to booty them home. In their place, the university will affectation replicas of the tiles, and the aboriginal mosaics will be apparent at the Zeugma Circuitous Building in the burghal of Gaziantep.

Sotheby’s Brushwork II — Abstract Masters auction in Hong Kong brought in a absolute of 158,537,000 Hong Kong dollars (HKD) (~$20,250,000) on November 24. The sale’s top lot, Zao Wou-Ki’s “10.1.68” (1968), awash for 68,932,000 HKD (~$8,805,000).

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Sotheby’s Russian Pictures auction in London brought in a absolute of £13,425,525 (~$17,121,000) on November 27. The sale’s top lot, Konstantin Egorovich Makovsky’s “Blind Man’s Bluff,” awash for £4,287,400 (~$5,468,00).

Sotheby’s Collections auction in Paris brought in a absolute of €1,704,064 (~$1,939,000) on November 27. The sale’s top lot, a large Italian argent fountain, Guido Fiorentini, Milan, about 1950, awash for €62,500 (~$71,000).

Sotheby’s Russian Works of Art, Fabergé & Icons auction in London brought in a absolute of £5,412,563 (~$6,948,000) on November 27. The sale’s top lot, a monumental silver-gilt and cloisonné apply kovsh, Feodor Rückert, Moscow, 1908–1917, awash for £490,000 (~$629,000).

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Sotheby’s Rostropovich – Vishnevskaya: The Clandestine Accumulating auction in London brought in a absolute of £4,181,125 (~$5,367,000) on November 28. The sale’s top lot, Giovanni Battista Guadagnini’s “A Cello, Turin” (1783), awash for £1,930,000 (~$2,478,000).

Christie’s auction of Fine Chinese Avant-garde Paintings in Hong Kong brought in a absolute of 325,512,500 HKD (~$41,576,000) on November 26–27. The sale’s top lot, Zhang Daqian’s “Jiatu map” (1943), awash for 58,600,000 HKD (~$7,485,000).

Christie’s Beyond Compare: A Thousand Years of the Literati Aesthetic black auction in Hong Kong brought in a absolute of 717,310,000 HKD (~$91,619,000) on November 26. The sale’s top lot, Su Shi’s “Wood and Rock,” awash for 463,600,000 HKD (~$59,214,000).

Christie’s Chinese Contemporary Ink auction in Hong Kong brought in a absolute of 19,567,500 HKD (~$2,499,000) on November 26. The sale’s top lot, Liu Kuo-Sung’s “Ama Dablam” (2008), awash for 2,620,000 HKD (~$335,000).

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Christie’s Exquisite Eye: Chinese Paintings online auction brought in a absolute of 5,403,750 HKD (~$690,000) on November 19–26. The sale’s top lot, Zhang Shizhao’s “Calligraphy in Running Script” (1941), awash for 375,000 HKD (~$48,000).

Christie’s auction of Important Russian Art in London brought in a absolute of £7,145,625 (~$9,099,000) on November 26. The sale’s top lot, a magnificent, monumental, and acutely attenuate administrative ceramics boutonniere by the Administrative Ceramics Factory, St. Petersburg, aeon of Nicholas I (1836), awash for £1,808,750 (~$2,303,000).

Christie’s auction of Asian 20th Century Art (day sale), including a alternative of Japanese woodblock prints from clandestine collections in Hong Kong brought in a absolute of 120,216,750 HKD (~$15,354,000) on November 25. The sale’s top lot, Zao Wou-Ki’s “05.04.63” (1963), awash for 6,100,000 HKD (~$779,000).

Christie’s Asian Contemporary Art day auction in Hong Kong brought in a absolute of 61,297,500 HKD (~$7,829,000) on November 25. The sale’s top lot, Liu Ye’s “Reading Girl” (2008), awash for 5,740,000 HKD (~$733,000).

Christie’s auction of Gold Boxes in Hong Kong brought in a absolute of 7,332,500 HKD (~$937,000) on November 25. The sale’s top lot, a Swiss jeweled, enameled agreeable gold snuff-box with an automaton, “The Music Lesson,” awash for 2,250,000 HKD (~$287,000).

Christie’s Asian 20th Century & Contemporary Art black auction in Hong Kong brought in a absolute of 424,250,000 HKD (~$54,185,000) on November 24. The sale’s top lot, Zao Wou-Ki’s “22.07.64,” (1964), awash for 115,975,000 HKD (~$14,812,000).

Phillips’s 20th Century & Contemporary Art Black auction in Hong Kong brought in a absolute of 102,746,000 HKD (~$13,131,000) on November 25. The sale’s top lot, Yayoi Kusama’s “Pumpkin (three works)” (2002), awash for 20,500,000 HKD (~$2,619,000).

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Christie’s online auction of Modern/British & Irish Art brought in a absolute of £776,250 (~$989,000) on November 16–23. The sale’s top lots, Jack Vettriano’s “Study for ‘Bluebird at Bonneville’” (1951) and Jack Vettriano’s “Heaven on Earth” (1999), awash for £43,750 (~$56,000) each.

Christie’s online auction of Contemporary Art Asia: Hong Kong Edition brought in a absolute of 2,424,000 HKD(~$310,000) on November 20–27. the sale’s top lot, Yue Minjun’s “Untitled (Portrait)” (2007), awash for 237,500 HKD (~$30,000).

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Christie’s The Meiji Aesthetic: Selected Masterpieces from a Clandestine Asian Accumulating auction in Hong Kong brought in a absolute of 16,512,500 HKD (~$2,109,000) on November 27. The sale’s top lot, an important adamant articulate carve of an hawkeye on stand, Meiji Aeon (c. 1894), active “Shinjiro,” awash for 6,700,000 HKD (~$856,000).

Christie’s Post-War & Contemporary Art auction in Amsterdam brought in a absolute of €8,078,500 (~$9,186,000) on November 26–27. The sale’s top lots, George Baselitz’s “Sujet populaire contraire (Contrary accepted subject)” (2007) and Asger Jorn’s “Myr og Mo (Myra and Mo)” (1950–1952), awash for €391,500 (~$445,000) each.

Christie’s The Exceptional Auction in Paris brought in a absolute of €3,326,000 (~$3,782,000) on November 27. The sale’s top lot, Bernardino Luini’s “Une amount de sainte, en buste, avec une palme et lisant les Ecritures [A amount of saint, in bust, with a approach and account the scriptures],” awash for €1,207,500 (~$1,373,000).

Christie’s Latin American Art online auction brought in a absolute of $495,125 on November 16–28. The sale’s top lot, Rubén Alpízar’s “Untitled” (2017) from the series Pequeños vinculos, awash for $32,500.

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