Five Facts About Sunburst Guitar Finish That Will Blow Your Mind | Sunburst Guitar Finish

By 1937, Gibson had upgraded the anatomy and attending of the L-10, with X-bracing, double-bullet inlays, checkerboard binding, and a multi-hued sunburst finish.

It’s absorbing aback a guitar shows up at about the aforementioned time there seems to be a new adulation for that accurate actualization of 6-string. This 1937 Gibson L-10 archtop came on my alarm about alongside to PBS airing Ken Burns’ documentary alternation Country Music. The L-10 isn’t as accepted as the L-5, which is associated with the acclaimed artist Lloyd Loar, or the L-7, but is aloof as high-quality a guitar. While “Mother” Maybelle Carter was accepted for her Gibson L-5, added players including Chet Atkins, Merle Travis, and Bob Wills and His Texas Playboys’ guitarist Eldon Shamblin proudly played their Gibson L-10s. With a admirable headstock and fretboard inlays, these are amazing-looking instruments.

Improbably, this guitar’s case is additionally in actual acceptable condition, with its advance lining, tweed covering, and black-striped top.

When Gibson alien the L-10 on its amount account in 1931, it was advised to be a lower-cost adaptation of the L-5, accessible alone in atramentous and affairs for $175, which was $100 cheaper than the L-5. Apparently the aggregation had been alive on the archetypal for several years afore its debut, acceptable as a aftereffect of slowing sales of mandolins and banjos as the chic for those instruments faded. From 1928 on, Gibson started featuring added guitars in their catalog, with flattop models advancing into faddy and archtops surging in popularity. Aback adversary Epiphone alien seven F-hole archtop-style guitars by 1931 beneath the name Masterbilt, Gibson knew they had to be committed to the new era of the guitar’s popularity.

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The aboriginal L-10s were, of course, beneath adorned than the L-5. But the L-10’s build—despite its beneath glamourous atramentous accomplishment and plainer appointments—made it aloof as good-sounding and dependable as its added cher sibling. Soon, beautification on Gibson guitars declared expanding, eventually culminating in beauties like the Super 400. But this 1937 Gibson L-10, to me, has all the appropriate accessories and looks superb! This would be a abundant acquisition for addition who wants the L-5 complete and appearance, after the heftier amount tag. Believe me, best L-10s are still pricey—around $5,000—but compared to an L-5, they’re a acceptable catch. A 1935 L-5 at Carter Best Guitars in Nashville afresh awash for $8,500.

There are some discernable blemish marks from strumming on the guitar’s angled top, added contempo tuners, and a backup pickguard—as able-bodied as the aboriginal in its case—but this L-10 is contrarily banal appropriate bottomward to its adjustable atramentous bridge.

This month’s guitar is in abundant shape, with its aboriginal case. The pickguard has been replaced, but the aboriginal is still with the guitar, taken off and undamaged. I anticipate this is a abundant year for this archetypal because by 1934/’35, Gibson had upped the anatomy amplitude from 16″ to 17″ on archtops. Gibson alike went added on the L-10s by alteration the top animating to an X pattern, switching to double-bullet inlays on the fretboard, with a Florentine-and-diamond headstock inlay, and checkerboard bounden on the top as able-bodied as a sunburst accomplishment with aphotic red amber stain for the abandon and back. All that makes this guitar aloof as admirable as the L-5. In agreement of playability, they are interchangeable.

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The headstock proudly displays its best logo lettering, a Florentine-and-diamond inlay, and backup butterbean-style tuners.

Gibson discontinued the L-10 in 1939. By then, there were too abounding models accessible in a saturated bazaar that was alteration with agreeable trends. Today, this guitar would be a jewel in any collection, and not aloof for its looks, but as a player’s apparatus with a admirable affluent tone. Among those with a adulation of the agreeable styles of the backward 1920s and 1930s, which accept become accepted again, this L-10 is awful coveted—and for acceptable reason.

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