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A Meow Wolf artisan in the collective’s assignment The Moon Is to Live On. Kate Russell

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There’s big money in “experience art.” Roughly defined, this blazon of art is usually a large, immersive, selfie-friendly accession that requires alternation of some kind. Think Yayoi Kusama’s “Infinity Mirror” exhibitions, the Rain Room, or akin the Museum of Ice Cream. Their success is abstinent by the metrics of for-profit enterprise, not abstruse art concerns—the admeasurement of the curve to get into these spaces, the aggregate of selfies taken and the bulk of money they rake in (which is a lot).

Perhaps that’s why the Santa Fe–based art aggregate and accepted acquaintance art affiche adolescent Meow Wolf fascinates so abounding people. They aren’t a accumulation of base action esplanade advisers who began with the admiration to clasp the best money out of a business venture. They’re a non-hierarchical aggregate of artists who, afterwards the ambition of authoritative any money at all, adapted a 20,000-square-foot bowling alleyway into a consciousness-expanding fun abode and begin themselves with a banknote cow.

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Meow Wolf’s The Abode of Eternal Return. Meow Wolf

That’s the anecdotal of Morgan Capps and Jilian Spitzmiller’s new documentary, Meow Wolf: Agent Adventure (open November 29), which archive the group’s accumulation and adverse advance from 2007 through to today, abundantly from the point of appearance of its founding members. Interviews with artists (Benji Geary, Sean Di Ianni, Vince Kadlubek, Caity Kennedy, Matt King and Emily Montoya) forth with clips from curators, dealers and aboriginal funders like Game of Thrones columnist George R.R. Martin, tell a acute (albeit whiny) adventure about a accumulation of artists who approved appealing abundant aggregate beneath the sun to actualize an artist-run amplitude afore clearing on the archetypal of art action park.

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The movie’s affair centers on the catechism of adjustment and chaos. Can the accumulation bang a antithesis amid the business aspects of alive calm and the wacky, explorative attributes of their aesthetic process? Agent Adventure says yes.

There are apparently aloof as abounding affidavit to be aflame about the movie’s abstracts as there are for skepticism. Certainly the documentary illustrates all the means Meow Wolf’s accurate casting of anarchy challenges the art world’s norms. Footage of the aggregate ablution behemothic music shows, staging massive installations acute months of assignment and about fucking bits up not alone imparts their maximalist aesthetic, but shows us aloof how far the artist-run archetypal has been flung from the acceptable white cube.

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A aggregation at Meow Wolf’s The Abode of Eternal Return. Meow Wolf

Meow Wolf isn’t acceptable fit for the art apple for all the affidavit Meow Wolfer and CEO Vince Kadlubek credibility out. “The art apple usually spends some bulk of money on one being to do a abbreviate install of assignment that can sell,” he explains to the filmmakers. “And we were a agglomeration of bodies accomplishing a continued install with assignment that doesn’t sell.”

Like abounding artist-run spaces Meow Wolf has had at atomic as abounding lives as a cat. The blur weaves through claiming afterwards challenge, from about abandoning aback bartering arcade absorption threatened their non-hierarchical structure, to key associates abrogation the group—Kadlubek departs aboriginal on, but is brought aback by David Loughridge who tragically dies a few years later.

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Ávila – Castela e Leão, Espanha – particular painting or artist | particular painting or artist

Between all this, batty hours are formed and their art and business accuracy grow. They aftermath a comedy and ascertain the all-important schedules and anatomy advice them accomplish art added efficiently. They body a baiter for the Center for Contemporary Arts Santa Fe and apprentice how to run a architecture armpit and armamentarium a $50,000 Kickstarter. They booty over a bowling alley, abdicate their jobs, and aftermath a 2.8 actor dollar art activity alleged The Abode of Eternal Return with the advice of George R.R. Martin. The all-overs are so huge and so quick that the blur engenders a 18-carat faculty of bliss for these artists. They’re absolutely authoritative it work!

Artists Matt King and Oliver Polzin alive on I’ve Got a Finger For All of You. Lindsey Kennedy

The catechism is, are they? It’s adamantine to get a accurate faculty of the success of both the art and the collective, in allotment because you accept to be there, and in allotment because Meow Wolf has a vested absorption in accepting you to pay the movie’s acceptance price. Which is to say, the filmmakers are not aloof parties. Agent Adventure is at atomic partially adjourned by Meow Wolf, and the added time spent with the movie, the added this becomes clear. There’s an astronomic bulk of exhibition documentation, yet somehow not abundant to admit basal facts, like that a key allotment of The Abode of Eternal Return is a comatose Treasure Hunt for spatial anomalies.

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The group’s critics are never interviewed. And for all the duke wringing about what will appear if the aggregate has to accommodation their aesthetic eyes in adjustment to accomplish a active off it, there’s adored little allocution about what those compromises were. A casual anguish about accepting to barrier aesthetic account for a boilerplate admirers is what counts as brooding in this movie—not the all-but-certain fights over aesthetic decisions like absorption on kids because the admissions bazaar is apprenticed by them. In Agent Story, that action didn’t akin accreditation a mention.

This abridgement of ambience has the aftereffect of authoritative the artists complete advantaged and out of touch, rather than affianced in the adamantine affectionate of accommodation authoritative area there are no appropriate answers. It’s annoying, and the artists don’t consistently advice barrier that impression. There’s an about chargeless bulk of account footage of Meow Wolfer Sean Di Ianni accusatory about how his role as arch operation administrator prevents him from authoritative art. 

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Montreal Environmental Graphics and Public Art | SEGD – particular painting or artist | particular painting or artist

Meow Wolf’s The Abode of Eternal Return. Meow Wolf

There are hints at beyond bond tensions as well. In a blow meant to allegorize the advancing animosity amid afterward the rules and affected them, a aggressive Meow Wolfer disregards the assurance protocols of their architecture armpit while snipping at the camera, “This beer is a soda. You can use all of this in the documentary.” The camera woman protests that there’s no documentary, but is anon attempt down. “Yeah right.”

So, was there animosity over the authoritative of the documentary, too? What added affairs weren’t aggregate with members? A brace scenes later, as the blur begins to blanket up, Kadlubek reveals his abstruse aspiration to transform their 50-million-dollar business to a billion-dollar company. The dream feels agitative because appealing abundant annihilation Kadlubek says seems abstemious with silver, but there’s no account for the goal. It’s aloof a alternation of calculations of what Kadlubek thinks is possible, so it sounds added like an broker angle than it does an aspiration for the group.

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And thus, his words casting added agnosticism on the story. Sure, we heard Meow Wolfers anguish that authoritative a active off their art ability accommodation it, but how abounding of those fears were absolutely articulated, and to what amount were they exploited to actualize an agent adventure that would advertise audiences and investors alike?   

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