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As photo ops go, this has to be one of the best unusual—and amusing. Four Chinese artists, all associates of the aggregate accepted as Polit-Sheer-Form Office, are demonstrating the uses of their accession of ablaze blue, low-end alfresco exercise equipment. In the rain. In burghal Vancouver. Across the artery from what is allegedly the best big-ticket fettle club in the city. What the advantaged association are accomplishing abaft the brave bottle over there, well, who knows? But here, legs are swinging, achievement are gyrating, accoutrements are rowing—all for free. Anybody is wet and anybody is laughing: artists, journalists, photographers, and Vancouver Art Arcade staff.

We’re at Offsite, the VAG’s accessible art amplitude on West Georgia Street, accepting aloof absolved over from a media examination at the gallery. Artists Hong Hao, Xiao Yu, Song Dong, and Liu Jianhua accept been speaking through a translator about their Offsite work, Fettle for All, and the activities of Polit-Sheer-Form Office (PSFO), which was founded in 2005. (The fifth affiliate of the collective, Leng Lin, was not able to attend.) Diana Freundl, the VAG’s accessory babysitter of Asian art and babysitter of the Offsite program, additionally spoke. “While anniversary affiliate of PSFO has his own art practice,” she said, “they allotment a accepted acquaintance of growing up during the Cultural Revolution in China.” They additionally abounding university in the 1980s, back China was aloof aperture up to the West. Fraught memories of affected collectivism underlie their work, which suggests parallels with western account and art movements, such as conceptualism and relational aesthetics. “While the artists philosophically abutment liberalism,” Freundl added, “they additionally access it with a faculty of caution.” Their art is accessible and participatory, and represents “a eyes of a new affectionate of collectivism, one that is autonomous and apolitical”.

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Song Dong said that because art “is absurd to define, it has offered us a all-inclusive amplitude in which we can explore”. PSFO activities accept included aspects of the everyday—eating, talking, reading, alike arena Ping-Pong. “Each of us is absolutely unique—we’re actual altered from anniversary other,” Song continued, again added: “The collec­tive helps to advance the individual, and, at the aforementioned time, the alone helps to advance and abound the collective.” Because of the participatory attributes of their installations and projects, Freundl said, the admirers additionally becomes allotment of the collective.

The appellation of the Offsite work, Fettle for All, is adopted from a Chinese byword advised to advance concrete exercise amid Chinese citizens. Fettle is encouraged through the adjustment of chargeless conditioning accessories in accessible places throughout the country, and it is this conditioning accessories that PSFO references in its tongue-in-cheek installation. (Each of the bristles pieces is doubled, so that participants can exercise ancillary by ancillary with a companion.) On the south bank of Offsite are the English and Mandarin words “WE is the acumen of I.” And on the west bank is a ample account of the fabulous Mr. Zheng, whose face is a agenda blended of the appearance of anniversary PSFO member. Mr. Zheng’s angel and his Big Brother–type attendance actuality riff on ample accessible portraits of Mao Zedong, and the subordinating of the alone to the old abstraction of the collective. Yet the argument and the way the angel is complete advance appearance aural the new collectivism.

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“In China in the past,” Xiao Yu observed, “the aggregate was consistently advised right.…Every alone was alleged aloft to accomplish contributions to this abundant collective, maybe alike accomplish claimed sacrifices to it.” He paused, again added: “Through art and through PSFO, I came to apprehend that abundance resides aural me.”

The Vancouver Art Arcade presents Offsite: Polit-Sheer-Form Office’s Fettle for All to March 31, 2019.

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