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“For the aboriginal time in 28 years, I’ve had three months after a academy and sports agenda to accord with,” Stephanie Ingrassia, vice-chairwoman of the lath at the Brooklyn Museum, said afresh in an account at her home.

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With three of their four accouchement grown, and the one in aerial academy belief abroad this semester, she and her husband, Tim Ingrassia, co-chairman of all-around mergers and acquisitions at Goldman Sachs, afresh awash their august townhouse in Brooklyn Heights to the extra Jennifer Connelly. They confused to a condo, with across-the-board angle of the East River and Lower Manhattan, in Pierhouse at Brooklyn Bridge Park. Their glass-faced duplex, while affluence ample by New York standards, is a abundant abbreviate with far beneath bank amplitude for their abreast art collection, which numbers in the hundreds of pieces.

“We’ve had to be absolutely choosy,” said Ms. Ingrassia, who’s confused abounding works to their acreage in Connecticut. But the radically altered architectural amplitude of their address has offered an aesthetic befalling to re-envision the mix in Brooklyn, which now includes paintings by Lynette Yiadom-Boakye and Nicole Eisenman, videos by William Kentridge and Marilyn Minter, a allegorical carve by Sanford Biggers and a Takashi Murakami argent tondo (a annular work) incised with a skull burden — afraid on the beam and absorption the river outside.

“We’re active with things now that accept alone been in storage,” Ms. Ingrassia said. Charles Gaines’s huge photograph of bald copse encased in a Plexiglas box corrective with a vibrantly black filigree hangs attic to beam in the access arcade (the armchair moldings in the old abode precluded installing it there). Josiah McElheny’s mirrored ablaze box abounding with vessels, set into the bank in the active room, appropriate electricity and a agent that was easier to architect in the new space.

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Ms. Ingrassia, who grew up in Michigan, advised clear architecture at the Academy of Visual Arts and bought her aboriginal painting from a abecedary there. After the brace confused to Brooklyn and had walls to fill, she began accession seriously, fatigued to able clear collages by artists including Donald Baechler, Ray Johnson and Barbara Kruger. As a 30-something calm mother 19 years ago, she was recruited to the lath at the Brooklyn Building by Arnold Lehman, again a new administrator who was aggravating to change the architecture of the earlier board.

“Arnold had some access on aperture my eyes to added cutting-edge aspects of contemporary,” said Ms. Ingrassia, who, through the museum, was alien aboriginal on to the works of Wangechi Mutu, Mickalene Thomas and Nick Cave, all of whom are now in the couple’s collection.

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“The building thinks creatively about amusing amends and assuming the apple through a altered lens,” she said. “It’s why I got complex there.”

Here are edited excerpts from the interview.

What tends to be your accession approach?

I go through dealers. Auctions feel too bartering and pressured. I like the hunt. I like acquirements aboriginal and afterward an artist’s career.

Do you go to art fairs?

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I do; there’s aloof an ability to it. I don’t consistently buy, but I consistently booty notes. I was aloof in London at Frieze, which was overwhelming. The fair I admired and absolutely purchased art at was 1-54 [Contemporary African Art Fair]. I like actuality able to see dealers that I wouldn’t commonly see.

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Do you apperceive any of the artists you collect?

I adulation to accommodated them. When you apprehend them allocution about their assignment and accept their process, it aloof becomes that abundant added meaningful. Amy Sillman was one of the aboriginal artists whose studios I visited. She’s become an obsession.

Do you aggregate with the building in mind?

Yes, we accept approved to absolutely animate the abreast accession at the museum. Tim and I bought a abundant Kiki Smith carve for the building and a Donald Moffett sculpture. He was afresh accustomed with his partner, Robert Gober, at the Brooklyn Museum. The building doesn’t accept a lot of funds, and I don’t appetite absence out on these artists who are important to our community. Basquiat took classes at the Brooklyn Building and we don’t accept a Basquiat.

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Do you accept a Basquiat?

I do.

Might things go to the building bottomward the road?

I would adulation to body a accumulating that one day goes to the Brooklyn Museum. I consistently acquaint my kids, if they don’t pay absorption to the art that they’re active with, it won’t be there for you!

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